Here's a little creepiness for your holiday via some old-school Disney:
Saturday, October 31, 2009
Happy H'ween
Here's a little creepiness for your holiday via some old-school Disney:
Thursday, October 29, 2009
Lazy Lazy Lazy
Since I am too lazy to fill everybody in on my exciting life since getting back from Vegas (which should have included WAY more in the nap dept.) instead, here is my Halloween costume rundown:
I haven't found a suitably tiny toy gun yet, but the hat is even more awesome and has a veil (and a tiny brooch from my grandma in the shape of a gold spider) and the stockings have cuban heels and a back seam just to look retro. The rest is basically a skirt suit with a fluffy blouse so the hat and stockings kind of do the work for me (the shoes and bag are placeholders/daydreams).
That is the goal hairdo. I think it is doable. So what do you think? Will I achieve my aims of looking charmingly attractive without a. freezing my ass off or b. falling into the trap of the sexy/ slutty fill-in-the-blank costume? The goal is more this instead of this. What would be perfect would be to top it off with some little gloves and a cigarette in a holder but I am on a time crunch here and now I need to find a fedora and some suspenders for Matt...
I haven't found a suitably tiny toy gun yet, but the hat is even more awesome and has a veil (and a tiny brooch from my grandma in the shape of a gold spider) and the stockings have cuban heels and a back seam just to look retro. The rest is basically a skirt suit with a fluffy blouse so the hat and stockings kind of do the work for me (the shoes and bag are placeholders/daydreams).
Monday, October 26, 2009
I Made It Back Alive!
Here's the full story, in relatively quick format. We've got a couple of friends who had tickets to see U2 in Vegas Friday night. Their flight left Thursday night. He ran into some work issues that he couldn't skip out on and she didn't want to go alone. So that's where I come in the picture... I got to be her surrogate date for the weekend and man was it fun!
We stayed at a time share that was selling off rooms for cheap, the place was super nice but it wasn't quite warm enough for the pool (sigh). So we went to the outlet malls (I questioned this, and had her original date accompanied her she would not have gotten to shop but would have hit every roller coaster on the strip. Needless to say, shopping was her idea. Although I would have been ok with roller coasters too) and had a lot of fun farting around in fancy stores. I ended up getting a couple of practical clothing items that I had been looking for and one totally impractical buttery-yellow leather clutch purse. It is adorable. Because clearly I adore it.
The concert was at Sam Boyd Stadium, which is not the one on the strip but the one 20 minutes outside of town. We were off of the end of the strip right by the airport so we had a bit of a head start. We got there right before doors opened (6pm) for a decent parking spot, then found out we had to go get wristbands since we were on the floor - general admission for fan club members, woot! There was a main stage and a ramp that went around (picture one of Saturn's rings) and the seats between the ring and the stage were the super pricey ones but we were right outside the ring so the view was still epic.
The Black Eyed Peas started around 7:30 and were a good warm-up act. I don't really mind their stuff and was thoroughly entertained by the costuming, they looked like a marching band getting ready to perform their medieval dominatrix-themed Dune field show. However, the highlight was their four dancers (that were not onstage nearly enough), they looked like refugees from a Daft Punk video. They first came out dressed as speakers. Seriously. They had 1/4 speaker attached to each forearm and each thigh so when they stood straight with their arms in front of their faces they just looked like big speaker boxes. If that doesn't make sense it's their fault, not mine. And they danced. They were totally the best part. Fergie Ferg has a perfectly good voice but I don't know why these guys are such a hit. Especially after their wonderfully tactful song about the Now Generation that starts with a Yes We Can-style Obama-related tribute that segues into a chorus of Gimme The Cash or something to that effect. I believe crass is the word I am looking for. And I am so tired of people who can't sing without AutoTune (not Fergie but the dude singer). Also their spare dude singer/rapper/I forget what he did looked just like a Bond villain. Major cheekbones and a black leather jumpsuit with red stripes. This website has pictures of the speaker people among other things, and seems to be run by the guy from Lifestyles of the Rich and Famous. Am I the only one who thought he was dead?
But anyways. The whole stage/ring complex is overshadowed by a giant thing that looks like bug legs. The legs are full of lighting guys (we counted 14) and the center (the bug torso?) comes down in a big circular screen made of a bunch of little diamond-shaped screens. The giant screen thing starts showing a bunch of clocks and then a world map with the international dateline scrolling around the world like crazy and flashing What Time Is It over and over. It then flashes 9:06 and I just have to crack up. Kind of anticlimactic.
Finally they all come out and play a couple of tracks from their new album (only one of which I am excited about) and then start getting into some of the bigger hits. By the time they play Elevation my "date" and I have pissed off the neighboring drunks enough so we're getting a little bit of space. Everybody sings along to every song and it is fun as heck. Bono is a goober, and I love the Edge even more after seeing him up there totally deadpan in a BeDazzled plaid flannel shirt and his standard beanie. He also sings the shit out of a lot of the songs so Bono can do the shout-with-the-crowd bits. And changes guitars possibly every song. Also at one point the drummer (Larry?) comes out with a djembe and jams out on the ramp like 25 feet away from us and damn if I can remember the song (it's gonna bug me now) but he was great! That is one tight band and they put on a great, high-energy show.
Here's the list according to these guys:
Breathe
Get On Your Boots (I think this is my favorite off the new album, better live than on the album though, of course)
Magnificent
Mysterious Ways
Beautiful Day (YES)
In God's Country
Fix You
I Still Haven't Found What I'm Looking For
Viva Las Vegas (this was funny)
Stuck In A Moment
No Line On The Horizon
Elevation
In A Little While (this was cool as they had footage from the space shuttle playing during this and at the end they had one of the astronauts quoting the verse about "man takes a rocket ship into the sky"
Unknown Caller
Until the End of the World
The Unforgettable Fire
City of Blinding Lights - this was cute, he pulled a kid up out of the crowd and they were running around the ramp and the kid was wearing Bono's shades.
Go YouTube, whoever shot this was pretty close to where we were, oddly enough.
Vertigo + a hint of All These Things That I've Done (the Killers are from Vegas, meh) you can also see how the screen expanded here, it was pretty nifty.
I'll Go Crazy If I Don't Go Crazy Tonight - Ha! This was the djembe song.
Sunday Bloody Sunday (this was rad)
Thanks again YouTubers (I want to breed a new kind of potato and name it the YouTuber), I hated all the people holding up their cameras every time Bono walked close to us but this sure is convenient. And that is the bug looking set I was trying to describe.
MLK
Walk On
You'll Never Walk Alone
They bailed but the lights didn't go up so of course they did encores.
One - I think it was during this they talked about Aung San Suu Kyi and had a bunch of volunteers walk around the ramp holding up masks of her face which was kind of unintentionally creepy. Not bad preachy-wise though compared to past footage I've seen.
Amazing Grace
Where the Streets Have No Name
And then they bailed again so we did too. We knew they were going to encore again but it was getting progressively mellower and it took us over an hour to get out anyways so I can't imagine if we had waited that extra ~20 mins. just to leave with the whole crowd. They were starting the whole "get out your cell phone and make this stadium like the night sky" BS and I just don't care enough.
So overall, BEP's were doofy but entertaining and U2 puts on a fantastic show. And I am still tired.
We stayed at a time share that was selling off rooms for cheap, the place was super nice but it wasn't quite warm enough for the pool (sigh). So we went to the outlet malls (I questioned this, and had her original date accompanied her she would not have gotten to shop but would have hit every roller coaster on the strip. Needless to say, shopping was her idea. Although I would have been ok with roller coasters too) and had a lot of fun farting around in fancy stores. I ended up getting a couple of practical clothing items that I had been looking for and one totally impractical buttery-yellow leather clutch purse. It is adorable. Because clearly I adore it.
The concert was at Sam Boyd Stadium, which is not the one on the strip but the one 20 minutes outside of town. We were off of the end of the strip right by the airport so we had a bit of a head start. We got there right before doors opened (6pm) for a decent parking spot, then found out we had to go get wristbands since we were on the floor - general admission for fan club members, woot! There was a main stage and a ramp that went around (picture one of Saturn's rings) and the seats between the ring and the stage were the super pricey ones but we were right outside the ring so the view was still epic.
The Black Eyed Peas started around 7:30 and were a good warm-up act. I don't really mind their stuff and was thoroughly entertained by the costuming, they looked like a marching band getting ready to perform their medieval dominatrix-themed Dune field show. However, the highlight was their four dancers (that were not onstage nearly enough), they looked like refugees from a Daft Punk video. They first came out dressed as speakers. Seriously. They had 1/4 speaker attached to each forearm and each thigh so when they stood straight with their arms in front of their faces they just looked like big speaker boxes. If that doesn't make sense it's their fault, not mine. And they danced. They were totally the best part. Fergie Ferg has a perfectly good voice but I don't know why these guys are such a hit. Especially after their wonderfully tactful song about the Now Generation that starts with a Yes We Can-style Obama-related tribute that segues into a chorus of Gimme The Cash or something to that effect. I believe crass is the word I am looking for. And I am so tired of people who can't sing without AutoTune (not Fergie but the dude singer). Also their spare dude singer/rapper/I forget what he did looked just like a Bond villain. Major cheekbones and a black leather jumpsuit with red stripes. This website has pictures of the speaker people among other things, and seems to be run by the guy from Lifestyles of the Rich and Famous. Am I the only one who thought he was dead?
But anyways. The whole stage/ring complex is overshadowed by a giant thing that looks like bug legs. The legs are full of lighting guys (we counted 14) and the center (the bug torso?) comes down in a big circular screen made of a bunch of little diamond-shaped screens. The giant screen thing starts showing a bunch of clocks and then a world map with the international dateline scrolling around the world like crazy and flashing What Time Is It over and over. It then flashes 9:06 and I just have to crack up. Kind of anticlimactic.
Finally they all come out and play a couple of tracks from their new album (only one of which I am excited about) and then start getting into some of the bigger hits. By the time they play Elevation my "date" and I have pissed off the neighboring drunks enough so we're getting a little bit of space. Everybody sings along to every song and it is fun as heck. Bono is a goober, and I love the Edge even more after seeing him up there totally deadpan in a BeDazzled plaid flannel shirt and his standard beanie. He also sings the shit out of a lot of the songs so Bono can do the shout-with-the-crowd bits. And changes guitars possibly every song. Also at one point the drummer (Larry?) comes out with a djembe and jams out on the ramp like 25 feet away from us and damn if I can remember the song (it's gonna bug me now) but he was great! That is one tight band and they put on a great, high-energy show.
Here's the list according to these guys:
Breathe
Get On Your Boots (I think this is my favorite off the new album, better live than on the album though, of course)
Magnificent
Mysterious Ways
Beautiful Day (YES)
In God's Country
Fix You
I Still Haven't Found What I'm Looking For
Viva Las Vegas (this was funny)
Stuck In A Moment
No Line On The Horizon
Elevation
In A Little While (this was cool as they had footage from the space shuttle playing during this and at the end they had one of the astronauts quoting the verse about "man takes a rocket ship into the sky"
Unknown Caller
Until the End of the World
The Unforgettable Fire
City of Blinding Lights - this was cute, he pulled a kid up out of the crowd and they were running around the ramp and the kid was wearing Bono's shades.
Go YouTube, whoever shot this was pretty close to where we were, oddly enough.
Vertigo + a hint of All These Things That I've Done (the Killers are from Vegas, meh) you can also see how the screen expanded here, it was pretty nifty.
I'll Go Crazy If I Don't Go Crazy Tonight - Ha! This was the djembe song.
Sunday Bloody Sunday (this was rad)
Thanks again YouTubers (I want to breed a new kind of potato and name it the YouTuber), I hated all the people holding up their cameras every time Bono walked close to us but this sure is convenient. And that is the bug looking set I was trying to describe.
MLK
Walk On
You'll Never Walk Alone
They bailed but the lights didn't go up so of course they did encores.
One - I think it was during this they talked about Aung San Suu Kyi and had a bunch of volunteers walk around the ramp holding up masks of her face which was kind of unintentionally creepy. Not bad preachy-wise though compared to past footage I've seen.
Amazing Grace
Where the Streets Have No Name
And then they bailed again so we did too. We knew they were going to encore again but it was getting progressively mellower and it took us over an hour to get out anyways so I can't imagine if we had waited that extra ~20 mins. just to leave with the whole crowd. They were starting the whole "get out your cell phone and make this stadium like the night sky" BS and I just don't care enough.
So overall, BEP's were doofy but entertaining and U2 puts on a fantastic show. And I am still tired.
Thursday, October 22, 2009
Signing Off For Now.
After seeing that movie I am really excited to see the Edge live. Bono is kind of a goober but he seems to mean well in general. Even though I've decided he could be Robin Williams' little brother. Anyways, first I'm gonna rock, then I'm gonna roll! See everybody when I get back (metaphorically speaking, that is)!
Wednesday, October 21, 2009
Ho Lee $#!t.
I just got a call from Matt. A friend of his and his girl got tickets to go see U2 in Vegas Friday night. Now he can't go. So I am going to keep Christine company. At U2. In Vegas. We leave tomorrow night.
Ho. Lee. Shit.
Ho. Lee. Shit.
Not A Cure? *Warning* MORE Brick*
Since Alana is posting kitchen pictures, I might as well join in! I am having ~20 people here for Thanksgiving. Most of them will be milling about the living room, as there will be big tables everywhere else. So I finally decided to bite the bullet and get it under control. This is a very loose definition of "under control". The living/dining areas are connected and I have already started "Curing" the dining area with a new neutral tablecloth, equally neutral paint job, tiny vase from my sister's wedding that is perfect for keeping full of nice herby greenery from the yard, and a light fixture that doesn't fight with anything. The dining area is going to be considered under control, for now (I promise it's not boring with all that neutral, it still has the purple couch Matt bought from a tattoo parlor).
So here are the living room goals:
- Move furniture away from walls.
- Vacuum and dust EVERYWHERE (this is big as there are CD racks and stereo equipment to deal with and they are HEAVY).
- Paint walls.
- Store some guitars and amps somewhere else. There was a big step made here when I actually removed ALL the amps to clean and vacuum around them and Matt agreed that I could store elsewhere the ones that weren't used regularly since they are big fat dust collectors. So the huge Peavey is headed for the garage in a nice overcoat of dropcloths and we are down to three amps in the living room. Guitars are next...
- Store some CDs somewhere else so the extant guitars can be more efficiently organized. I already moved a crate of mine to the garage after backing them all up onto the lappy, now I just need to get Matt to do the same with his...
- Obtain (buy/make) new pillow covers for the throw pillows on the couch/loveseat. This would be easier if I wasn't so darn picky. Where do people get throw pillows that aren't $100? We actually put our faces on these during naps so the fancy ones with buttons and beads just leave weird marks.
- Create and maintain space around the couch so when my dad shows up with a pair of end tables (Have I mentioned my dad is rad? My Dad. Is Awesome.) they can be put in their respective spots without having to rearrange everything right then.
This is the view to your immediate left when you walk in the front door. I am going to try and eliminate the short CD rack so we can line up guitar cases against the wall by the window. Then we can get to CDs and guitars both. Right now the corner rack is the dumbest storage idea ever. It would be more accessible if I just put the whole rack in the garage. Hmm...
I have about a month on this. What do you think? I am going to try and get the wall by the windows painted this weekend. Or maybe next weekend. I'll take whatever I can get.
Direct view of the front wall that will be painted first (no CD racks to move). If you click you can see the lovely fireplace wall with stacks of amps. Those are mostly no longer there. It's a start. I have many other dreams of how to make this a nicer space but this is my trying-to-be-realistic phase right now. We'll see how it works out.
So here are the living room goals:
- Move furniture away from walls.
- Vacuum and dust EVERYWHERE (this is big as there are CD racks and stereo equipment to deal with and they are HEAVY).
- Paint walls.
- Store some guitars and amps somewhere else. There was a big step made here when I actually removed ALL the amps to clean and vacuum around them and Matt agreed that I could store elsewhere the ones that weren't used regularly since they are big fat dust collectors. So the huge Peavey is headed for the garage in a nice overcoat of dropcloths and we are down to three amps in the living room. Guitars are next...
- Store some CDs somewhere else so the extant guitars can be more efficiently organized. I already moved a crate of mine to the garage after backing them all up onto the lappy, now I just need to get Matt to do the same with his...
- Obtain (buy/make) new pillow covers for the throw pillows on the couch/loveseat. This would be easier if I wasn't so darn picky. Where do people get throw pillows that aren't $100? We actually put our faces on these during naps so the fancy ones with buttons and beads just leave weird marks.
- Create and maintain space around the couch so when my dad shows up with a pair of end tables (Have I mentioned my dad is rad? My Dad. Is Awesome.) they can be put in their respective spots without having to rearrange everything right then.
I have about a month on this. What do you think? I am going to try and get the wall by the windows painted this weekend. Or maybe next weekend. I'll take whatever I can get.
Saturday, October 17, 2009
Musical Interlude/ Movie Review Time!
Matt and I went to a fascinating documentary last night, called It Might Get Loud. It was about The Edge (of U2), Jimmy Page (of The Yardbirds and Led Zeppelin, among others) and Jack White (of the White Stripes and the Raconteurs). It was a combination of them talking to eachother about music, interviews with each of them about their influences and them sitting in a room talking music and jamming. It was SO well done.
It was an odd format, because it would switch back and forth between the three of them, and they had interviews with Jimmy Page and the Edge in their old recording studios where they had recorded iconic albums and in their current abodes talking about their influences and (especially in the case of Jimmy Page) past musical experiences. In Jimmy Page's this was particularly interesting as he started out pre-rock and roll and learned to play in a skiffle band and spent so long as a studio musician playing written-out music (he's the guitarist on Goldfinger, among other totally random things). He talks about the point where he was sitting in a session and realized he was playing muzak, and he just had to leave. He then goes into how much time he spent trying to innovate and do different things with the guitar just to get away from the rigid structure of his past studio gigs (playing guitar with a violin bow, for example). It was a little sad actually, they show a clip from Spinal Tap which came out a couple of years after Bonham's death and the breakup of the band, and you realize that it wasn't that over-the-top, and he just looks so sad about that. Although he does explain the double-necked guitar, too. The top half was a twelve-string and the bottom was a regular electric because it was the only way he could play all of Stairway to Heaven live in concert without switching instruments - he played all the solos on the regular side and everything else was on the twelve-string.
The Edge was actually really interesting as well, it goes a lot more into his influences from the political climate in Dublin when they were starting out and how that influenced his writing music. Songs like Sunday Bloody Sunday for example - I for one forget how much singing and songwriting he does for that band. It was also fascinating to watch him talk about his gear, how much time he spends getting just the right sound and effects for each song and each lick - he sits down at one point and plays a catchy lick on an unplugged electric guitar and then he plugs in and it turns into this huge memorable song and it is so interesting to watch.
Jack White was kind of the "which of these things is not like the other" factor. I know he was kind of the contrivance to get the other two together in the first place but it just felt a little forced when they would have old footage of the others and them talking about their experience and they've both got 20-30 more years of stories to tell than he does. I know it's kind of to get the younger crowd in and it is interesting to hear him talk about his influences as well but he just seems kind of out of his league, especially in the jam sessions. That was kind of my other little peeve - they hardly showed them jamming at all! The preview kind of implies that the whole thing is about the jam and it is really a minor component. Although it was pretty cute watching him just look on in awe when Jimmy Page is showing them how to play Heartbreaker.
Overall, I highly recommend it if you like rock music (or are married to a guitarist). I've got some residual interest as a non-guitarist who lives with a serious guitarist but also as a moderate U2 fan and a huge fan of both Zep and the Raconteurs. And I thought it was very interesting and extremely well done. So there ya go.
It was an odd format, because it would switch back and forth between the three of them, and they had interviews with Jimmy Page and the Edge in their old recording studios where they had recorded iconic albums and in their current abodes talking about their influences and (especially in the case of Jimmy Page) past musical experiences. In Jimmy Page's this was particularly interesting as he started out pre-rock and roll and learned to play in a skiffle band and spent so long as a studio musician playing written-out music (he's the guitarist on Goldfinger, among other totally random things). He talks about the point where he was sitting in a session and realized he was playing muzak, and he just had to leave. He then goes into how much time he spent trying to innovate and do different things with the guitar just to get away from the rigid structure of his past studio gigs (playing guitar with a violin bow, for example). It was a little sad actually, they show a clip from Spinal Tap which came out a couple of years after Bonham's death and the breakup of the band, and you realize that it wasn't that over-the-top, and he just looks so sad about that. Although he does explain the double-necked guitar, too. The top half was a twelve-string and the bottom was a regular electric because it was the only way he could play all of Stairway to Heaven live in concert without switching instruments - he played all the solos on the regular side and everything else was on the twelve-string.
The Edge was actually really interesting as well, it goes a lot more into his influences from the political climate in Dublin when they were starting out and how that influenced his writing music. Songs like Sunday Bloody Sunday for example - I for one forget how much singing and songwriting he does for that band. It was also fascinating to watch him talk about his gear, how much time he spends getting just the right sound and effects for each song and each lick - he sits down at one point and plays a catchy lick on an unplugged electric guitar and then he plugs in and it turns into this huge memorable song and it is so interesting to watch.
Jack White was kind of the "which of these things is not like the other" factor. I know he was kind of the contrivance to get the other two together in the first place but it just felt a little forced when they would have old footage of the others and them talking about their experience and they've both got 20-30 more years of stories to tell than he does. I know it's kind of to get the younger crowd in and it is interesting to hear him talk about his influences as well but he just seems kind of out of his league, especially in the jam sessions. That was kind of my other little peeve - they hardly showed them jamming at all! The preview kind of implies that the whole thing is about the jam and it is really a minor component. Although it was pretty cute watching him just look on in awe when Jimmy Page is showing them how to play Heartbreaker.
Overall, I highly recommend it if you like rock music (or are married to a guitarist). I've got some residual interest as a non-guitarist who lives with a serious guitarist but also as a moderate U2 fan and a huge fan of both Zep and the Raconteurs. And I thought it was very interesting and extremely well done. So there ya go.
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